Driving
for hours up one of Costa Rica’s many hillsides, past a hummingbird
watch-house, through a cup of hot cocoa rica,
and a visit to a Ngöbe (a Costa Rican Indigenous group) EBAIS later, we find
ourselves at stop number three: Las Cruces Biological Station. These two weeks
at Las Cruces have passed rather quickly, perhaps because of how much work was
packed into each day, or perhaps because we’ve been enjoying the beauty of the
station itself- settled in a forest of clouds, I’ve never seen a concentration
of biodiversity comparable to Las Cruces. Week one was entirely dedicated to
preparing IRB proposals for our Independent projects. As a facet of our
project, my group was able to meet with a cultural advisor for the Ngöbe-Buglé
people. Speaking with her and catching a glimpse of their community was one of the
more impressionable experiences I have had so far. The Ngöbe women, without
fail, appear well put together in their exquisitely colored, intricately
stitched, traditional dresses, yet their residences don’t have sidewalks or
roads, house numbers or identifications. I was in admiration of their efforts,
although the weight of personal appearance versus sanitation stilled in my mind;
is it ethnocentric to wonder why they seem to prioritize dress rather than
addressing possible risk factors to the health of themselves and their
families? Are they even aware of these risks?
We
also visited the Brunka (Boruca) indigenous group in the second week. One of
the things that most struck me was how much these people depend on the
economics of “modern” society to support their own. The Brunka people were at a
crossroads not too long ago, where they risked losing their culture, their
language, their youth, everything. What brought their livelihood back from the
brinks was a newfound prosperity in tourism and selling artisanal products. In
our visit, members of the community showed us various steps in the production
process including woodcarving, painting, weaving, and dyeing; finished products
were then sold at surprisingly steep prices. The One of the artisans in the Bruka community demonstrating the painting process that goes into making the masks and sculptures that they sell to tourists. |
No comments:
Post a Comment